Monday, November 30, 2009

Cameron McCasland scares up Emmy nom with "Werewolf of Nashville" short

As part of the "Go Green with Dr. Gangrene" series on the Dr. Gangrene website, Cameron McCasland has been nominated for an Emmy under the category "Short Film Writer" for the 24th Annual Midsouth Emmy Awards. His "Werewolf of Nashville" film, which he wrote and directed, is a PSA for cleaning up after pets utilizing creative horror framing.

From the press release:

"Werewolf Of Nashville finds middle Tennessee’s long running horror host Dr. Gangrene (portrayed by Larry Underwood ) taking his pet werewolf out for a walk in the park. The mad doctor reminds people to pick up after their pets, with the tag-line “It’s not what you don’t do, it’s what you do-do.”  The Go Green with Dr. Gangrene series is a continuing collaboration between Underwood and McCasland and provides ways to make a safer, cleaner planet while using a horror theme as their backdrop."
The video is below, and for more information on the 24th Annual Midsouth Emmy Awards, please visit their website here. Congratulations to McCasland for this exciting opportunity.



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Sunday, November 29, 2009

Christmas cheer

As you can see, the blog has been bitten by the holiday bug. Enjoy the greens and reds, enjoy Robert Brian Wilson as a killer Santa Claus, and most of all, enjoy the multitude of holiday movies and books I'll be reviewing for the season.

Here at The Moon is a Dead World, I try to never waver from the horror genre, but during Christmastime, I can't guarantee anything, and it seems my Christmas spirit has gotten the best of me this year. I don't know how many horror-related items I'll be reviewing for the rest of the year; but I do know that I'll be giving you as many holiday-related posts as possible!



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Friday, November 27, 2009

Moon Minis - Alvin and the Chipmunks

Alvin and the Chipmunks





This cute but overly flawed film revisits the lovable furry friends of Dave Seville (played by Jason Lee of My Name is Earl, looking stylish and more sophisticated without his mustache) in a new envisioning of how the trio came to be. Lee's acting is the stand-out here, and though the chipmunks are adorable and full of life, they can't carry the film. All of the facets of the original Chipmunks are here - the trio's personalized shirts, Simon's glasses, and the movie even gives reference to how "The Chipmunk Song (Christmas Don't Be Late) came to be written - which is good for those who grew up with the television show.

But some questionable acting from Cameron Richardson (who did come into her own on Harper's Island) and a script that leaves a lot to be desired in terms of dialogue undercuts some of the adult enjoyment of the rodents' adventure. Younger children will have a blast with the wit of the 'munks and the original songs have been updated to hip-hop/pop fare to appeal to the new audience. And if you enjoy Jason Lee, you'll most likely get a kick out of his antics and his spot-on cry of "AAAAALVIIIIIIN!" Yet there's a good deal missing from the plot to engage an older audience; the move to incorporate gags for a more mature mindset has been left out, leaving in its place a mediocre romance that doesn't go very far and a villain that's nauseatingly realistic in his big-spending tendencies.


Alvin and the Chipmunks on Rotten Tomatoes



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Thursday, November 26, 2009

Happy Thanksgiving!


Eat that turkey before it eats you!



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Tuesday, November 24, 2009

Comic Review - Victorian Undead #1 by Ian Edginton & Davide Fabbri

Victorian Undead #1




Horror has recently found a fascination in remaking the Victorian age of literature. We've seen novels parodying Pride and Prejudice and Sense and Sensibility, and now we have a creation from Ian Edginton and Davide Fabbri pitting Sherlock Holmes and Watson against mindless zombies. Do we have a fascination in debauching (in a good way) the classics?

Perhaps. And of course, Edginton and Fabbri create chaos in Victorian London throughout this first issue of this six-part series, crafting a fairly familiar storyline about a radioactive meteor that falls from the sky to create zombies. Edginton's story for this issue is more focused on the zombie plague that is spreading throughout London more than it is on incorporating Holmes into the chaos. While it gives us a slight understanding of the menace that works its way through the land, I couldn't help but wish for Holmes to get right into the thick of the plot. By the time Holmes and Watson are alerted to the presence of the undead, 44 years has apparently passed from the time of the first zombie. It would seem as though, because of the story's portrayal of the infection, that a multitude of zombies would be running amok by this time.

But with this qualm aside, Edginton's take on Holmes' investigations is rather interesting. If a zombie outbreak were to occur in Victorian London, it makes sense that Holmes would be called to uncover the mystery before anyone else. Yet I'm very interested to see how the story pans out, especially since I see Holmes as more of a frail detective type than a strong and battling character, which is normally required for survival. To be frank, I hope to see Edginton explore the more strategic side to Holmes' zombie survival rather than a tête-à-tête.

Fabbri's drawing style is good as well. His zombies are gruesome because of their immediate shift in pallor after death; they take on a blue-ish tinge that scares because of its sheer wrongness. The violence isn't overly graphic, but the comic does have its moments. The long setup at the start of issue 1 allows for Fabbri to have his fun with grotesqueries, but the stand-out work here is the cover, full of maggots and rotting flesh. It immediately draws the reader.

While Victorian Undead takes a while to get to Holmes himself, the zombie opening allows the reader to get right into the action. If you're not feeling the story in the opening ten pages, you'd best put this comic series down and start another. But if Sherlock Holmes fighting zombies is a draw to you, this series is worth the first issue. I would really like to see what Edginton and Fabbri can do in the next 5 issues of the series, because they have crafted a compelling read here.



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Friday, November 20, 2009

Graphic Novel Review - Saga of the Swamp Thing: Book Two by Alan Moore, Stephen Bissette, & John Totleben

Saga of the Swamp Thing: Book Two



Swamp Thing has been around for as long as I can remember - I used to own a comic in the '90s where Swamp Thing and this other lady were having some sweet loving. It wasn't any of the issues out of this collection, but I'm pretty sure it was an Alan Moore story, so the memory isn't totally out of context. Anyway, Vertigo's reissue of Alan Moore's seminal story is collected in a nice hardcover volume that, for this book, includes issues 28 - 34 of the series.

I never realized how fantastic Swamp Thing really was until I read this edition. No prior knowledge of the series is required to pick up this volume - Moore does a great job of telling the story without forcing the reader to follow each issue. The plot is easy to pick up on, and the books are broken up well enough that they don't leave with cliffhangers.

Moore's writing is wonderful, a poetic prose form, using enviable metaphor that adds to the beautiful visuals that Bissette and Totleban designed. Swamp Thing is easy to feel for; he may look like a monster but his personality shines like the sun. His friend Abby is equally as friendly and fresh, and there's even a wonderful moment where the two join together intimately to become one plant-human concoction of LSD-like hypnosis.

But I digress - I'm not here to talk about Moore's work on Swamp Thing, but the actual reissue itself. DC Comics has left the paper comic pages intact, which some may disagree with but a decision that I love. Comics have dropped using the paper pages and resorted to glossy ones. They feel nice, yes, and there's less of a chance for papercuts, but I like how Swamp Thing takes us back in time to comics of old. The paper gives a nostalgic feel, bringing me back to days where I used to sit up in my aunt's closet and read old horror comics.

The hardcover binding comes with a slipcover with fantastic cover art. There's not too much in the way of added extras; we get an introduction from Jamie Delano, a foreword by Neil Gaiman, and some author bios at the back of the book. Even if you do have the issues, though, it's nice to have them all in one place.

Otherwise, though, this collection of Swamp Thing is a must-have for fans of the series, or for those who have never read the series. Ecological crises are a hot topic right now, and one that the world can not forget about. Swamp Thing is a character that not only upholds this idea that the earth is connected to humanity, but he is our savior as well - we must accept the fact that we need Earth to survive, something that we tend to forget in the face of our own daily needs. This reissue of Saga of the Swamp Thing is coming at a much-needed time; I cannot ictuate enough how moving the story really is.

Ictuate is my lost word of the day.



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Thursday, November 19, 2009

Moon Minis - Choke

Choke




Film adaptation of a Chuck Palahniuk (Fight Club) novel (I can't say his name) about a man, Victor (Sam Rockwell) "attempting" to shake a sex addiction while dealing with his mother's recent illness. Victor's not so much a likable character as he is an interesting one, and director/screenwriter Clark Gregg has done a decent job at detailing Victor's out-of-control lifestyle and coupling that with seemingly normal people. Unfortunately, the shocks at the end coming from Victor's mother's nurse aren't as surprising as the movie would like us to believe considering her faulty ideas prior to the conclusion, and the emotions generated between mother and son are limited given that they both have a love/hate relationship leaning more towards the hate spectrum. There's also a question as to where the film is headed through much of the plot, which is fortunately wrapped up toward the end of the film and all themes are brought together. There are a few very effective devices used, one being the fact that Victor sees all women in flashes of who he has had sex with or what they look like naked. It is enjoyable characterization that really works with the film's topic. Choke has its moments but falls short of an emotional release, though the finale does well to provide a commentary on addiction. How true it is, though, I'm not one to judge.

Choke on Rotten Tomatoes



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Tuesday, November 17, 2009

Mad dash

I've been slightly (meaning unbelievably) swamped with homework lately, so I have had no time to do anything other than that and watch Choke last night. Hopefully I'll have a Moon Mini of that up tonight or tomorrow afternoon. Otherwise, I'm still attempting to finish Saga of the Swamp Thing, though it's slow going because I have to read the Book of Jeremiah from the Bible before I can read anything else (Bible class, 15-page research paper on Job/Jeremiah suffering).

I'm trying.



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Friday, November 13, 2009

Book Review - Intervention by Robin Cook




I've only read one Robin Cook book besides this one, but I was impressed by his ability to write a gripping thriller that combined the medical world as well, two ideas that sound great but, when mashed together, can end up bogged down with medical mumbo-jumbo and off-kilter pacing. Intervention is very loosely tied to the medical world, however, and I couldn't help feeling a Dan Brown influence throughout the entirety of the novel.

Intervention can be considered a quest story of sorts; this time, the quest item is not the Holy Grail but the ossuary that contains what the characters of the story believe are the bones of the Virgin Mary. Cook is definitely caught up on the religious spin in the novel, but he does tackle some other themes about the medical world as well. But this tendency to pin too many themes to one story is what generates the big problem for Intervention.

Cook's protagonist is Jack Stapleton, a recurring character from some of his older novels. Some of Jack's friends, Shawn and his wife Sana, have unearthed the ossuary of what appears to be the Virgin Mary, and, both being in two fields of study that will be directly affected by this find, proceed to uncover both the evidence to support the Virgin Mary claim and DNA that would uncover a matrilineal link to Mary in the contemporary world. But Jack's other friend, James, is an archbishop, a guy who would really suffer if word got out the Mary's bones had been found and that she had not divinely ascended into Heaven. So James and Shawn butt heads about the whole matter, and James sends a Virgin Mary fanatic into Shawn's house to influence him not to release his evidence. And somehow, Jack manages to find himself caught up in all of this, plus deal with his sick 4-month-old.

The plot sounds a bit confusing, and the references to Gnosticism and the Bible can be frustrating if one isn't up on their religious knowledge. But the plot is explained clearly enough, and often enough, to allow for the reader to get the gist of what's going on and why it's bad. Once one has been given the run-down of the Virgin Mary dilemma, the plot becomes quite intricate and interesting. It's the intervals in-between that make for a muddled read.

The first half of the book is fairly misleading. Jack begins to focus on his fieldwork about the dangers of alternative medicine, like chiropractic, which ultimately leads... no where. One can argue that towards the end of the novel, there's a frail tether between the religious aspect and faith healing, but to be honest, the two are barely connected. It feels like a waste to be given so much information on chiropractic, following Jack's informational trail and getting sucked into the topic, for it to just be dropped in the middle of the book for something more permanent. It feels as though Cook is trying to tap into some very pertinent themes, but there are just too many. They just can't be tackled all at once.

Unfortunately, the religious aspect of the plot becomes significantly less arousing after the ossuary has been dug up; the plot is reduced to a "thriller" where Shawn and Sana are wiped out by a religious fanatic with little to no emotional buildup and an even smaller emotional release from Jack. The characters are incredibly unbelievable; Jack is constantly leaving his sick baby and his taxed wife to go play a game of hoops, or skedaddling out of the house early in the morning to get in a couple more hours of work so that he doesn't have to be with the baby. Shawn and Sana bicker more than siblings, and that gets annoying all too quickly. James does not feel like an archbishop in the slightest. Their reactions are even more improbable. James and Jack are quick to get over their old friend's death; they are barely phased, moving on to more "pressing" matters! Jack blows up at people over the silliest of instances; twice he gets angry at people because they have had some sort of alternative medicine once in a while. This man needs some anger management counseling! The dialogue is off as well; everyone seems too nice, too sophisticated in speech. It seems these people don't use slang, or even contractions, when they talk.

A huge detractor is that the plot is wrapped up too quickly. Come on, I've read 350 pages of this book about the Virgin Mary; I do NOT want the conflict resolved by a quick house fire in two pages. The pacing, especially towards the end, is so inconsistent that the conclusion is probably one of the most disappointing features of the book. In the end, not much happens - everything is restored to order, a couple people died in the process, but so what? A baby is cured of cancer - maybe.

This is Robin Cook's 29th book. But it doesn't feel like he's learned a whole lot about the craft of writing in those other 28 novels. Why are the characters so unbelievable? What's with the dialogue? What happened to sticking to one point of view (Jack's)? There are just too many mistakes here to deny; the themes might be edgy, but the book can't sustain any intensity to give them any weight.



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Thursday, November 12, 2009

No posts!

I realize that I haven't been posting in a while - I promise I'm not dead, just bombarded with work. I did receive a review item, a collection of Swamp Thing comics from DC Comics, but I'm also looking for more (yes, even with all of the work I have to do - I'm a glutton for punishment). I don't exactly have a whole lot to review right now; Netflix is a little behind because of the holiday and the next film won't be horror-related anyway, a total bummer. I'm almost finished with a book I'll be reviewing soon, though - it's Robin Cook's Intervention.

Stay tuned!



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